tag:blogger.com,1999:blog-40058799827186572132024-02-18T22:51:57.047-08:00t'khià<br>
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<br><i>¿Perquè se t'ha ficat al cap que has de ser feliç?</i> <br>Óssip MandelstamLiorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.comBlogger139125tag:blogger.com,1999:blog-4005879982718657213.post-7093077095227068452015-03-14T08:36:00.001-07:002015-03-14T08:36:39.394-07:00Nevant<div class="separator" style="clear: both; text-align: center;">
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<br />Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com0tag:blogger.com,1999:blog-4005879982718657213.post-41650733004685794532014-07-19T05:41:00.002-07:002014-07-19T05:51:19.308-07:00Ara és l'hora!<div class="separator" style="clear: both; text-align: center;">
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<a href="https://twitter.com/Araeslhora?lang=it" target="_blank">ARA ÉS L'HORA!</a></div>
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<span style="font-size: x-small;"><span lang="CA" style="font-family: "Perpetua Titling MT";"> </span></span></div>
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<span style="font-size: x-small;"><span lang="CA" style="font-family: "Perpetua Titling MT";"> <span style="font-size: small;">La
por és l’aluminosi de l’ànima: </span></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="CA" style="font-family: "Perpetua Titling MT"; font-size: small;"> corca
la voluntat, </span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="CA" style="font-family: "Perpetua Titling MT"; font-size: small;"> estabula
la gent, </span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="CA" style="font-family: "Perpetua Titling MT"; font-size: small;"> converteix
les persones en titelles. </span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="CA" style="font-family: "Perpetua Titling MT"; font-size: small;"> La
por és la força dels tirans. </span></div>
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<div style="text-align: center;">
<div style="text-align: justify;">
<span lang="CA" style="font-family: "Perpetua Titling MT"; font-size: small;"> La
llibertat és patrimoni dels valents.</span></div>
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<br /> </span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="CA" style="font-family: "Perpetua Titling MT"; font-size: small;">
Joan Calsapeu</span></div>
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Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com0tag:blogger.com,1999:blog-4005879982718657213.post-71192005700721775062014-04-05T04:58:00.000-07:002014-04-05T08:58:36.396-07:00Travessant la corda fluixa de la mà de Bruno Schulz<br />
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<div style="text-align: center;">
<a href="http://www.elfunambul.cat/">www.elfunambul.cat</a></div>
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<br />
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: large;">Deu ser cosa de l’edat que,
malgrat els avantatges del format digital, el format paper ens incita més els
sentits. O potser ens els centra més. El tacte del paper amb les mans acaba
conformant, també, la lectura. Poder llegir ara <b><a href="http://elfunambul.wordpress.com/">el funàmbul</a></b> en paper,
afegeix, doncs, un plus d’emoció a la lectura. I és amb aquesta emoció que
llegim ( i rellegim; Joan Fuster: <i>Només
hi ha una manera seriosa de llegir, que és rellegir</i>. Pàg. 74) i comentem aquest
primer número, dedicat a la incitació a
la lectura i relectura, especialment que no exclusiva, de Bruno Schulz. </span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: large;">Un encert (un darrere l’altre!) dels que més ens ha
agradat, és que la declaració d’intencions i principis de la revista (Editorial, pàg. 5) sigui la pròpia selecció d’articles i entrevistes. La
secció de cinema dedicada a Èric Rohmer, la incitació de David Grossman a la <b><a href="http://youtu.be/7jiJY6b6x08">lectura</a></b>
de Bruno Schulz, la conversa entre Philip Roth i Isaac Bashevis Singer sobre
aquest autor, etc. Selecció incitadora, certament!</span> </div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: large;">Felicitem i agraïm a David Cuscó
tota la dedicació i l’esforç que ha esmerçat en
les pàgines d’el funàmbul (segur que també
s’ho ha passat estupendíssimament... ). Fent
una reescriptura d’una cita de Pere
Calders (que el director fa servir per reblar, gosem dir una mica
supersticiosament, l’editorial) diríem:</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: large;"><i>Es va realitzar. Al final, després de grans esforços i sacrificis, ho
va aconseguir. I el que són les coses: es veu que valia la pena, perquè tothom
coincidí a dir-li que estava encara millor que en la seva etapa de projecte.</i></span><br />
<br />
<span style="font-size: large;">Travessa amb èxit!<i> </i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<span style="font-size: large;"><i><a href="http://elfunambul.wordpress.com/category/monografics/">http://elfunambul.wordpress.com/category/monografics/</a></i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: large;">Us deixem amb un poema de Joseph Brodsky, que trobareu en <a href="https://edicions1984.wordpress.com/tag/joseph-brodsky/" target="_blank">versió catalana</a> de Judit Díaz Barneda a les llibreries, per coses nostres i del director d'El funàmbul. </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: large;"><i>To My Daughter</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<span style="font-size: large;"><i>Give me another life,
and I’ll be singing</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<span style="font-size: large;"><i>in Caffè Rafaella. Or
simply sitting</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<span style="font-size: large;"><i>there. Or standing
there, as furniture in the corner,</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<span style="font-size: large;"><i>in case that life is a
bit less generous than the former.</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<span style="font-size: large;"><i>Yet partly because no
century from now on will ever manage</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<span style="font-size: large;"><i>without caffeine or
jazz, I’ll sustain this damage,</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<span style="font-size: large;"><i>and through my cracks
and pores, varnish and dust all over,</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<span style="font-size: large;"><i>observe you, in twenty
years, in your full flower.</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<span style="font-size: large;"><i>On the whole, bear in
mind that I’ll be around. Or rather,</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<span style="font-size: large;"><i>that an inanimate
object might be your father,</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<span style="font-size: large;"><i>especially if the
objects are older than you, or larger.</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<span style="font-size: large;"><i>So keep an eye on them
always, for they no doubt will judge you.</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<span style="font-size: large;"><i>Love those things
anyway, encounter or no encounter.</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<span style="font-size: large;"><i>Besides, you may still
remember a silhouette, a contour,</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<span style="font-size: large;"><i>while I’ll lose even
that, along with the other luggage.</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal">
<span style="font-size: large;"><i>Hence, these somewhat
wooden lines in our common language</i></span></div>
Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com2tag:blogger.com,1999:blog-4005879982718657213.post-75348544998190985202014-01-27T02:38:00.000-08:002014-01-27T02:45:21.493-08:00Lege Feliciter<div class="separator" style="clear: both; text-align: center;">
</div>
<div style="text-align: center;">
<span style="font-size: small;"><br /></span></div>
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"> (Un petit apunt per a uns grans llibres)</span></span><br />
<span style="font-size: small;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV6Nr8raC7Gv5E5T3RdtS7q2AL1BNECJ4Z6gAYLWiheNsr3JrNzbYheVjbqFXC3i6sAJ55JOgnWiMFosTGTa4k3WwJOjddwhbrBeWAAUGCdbMNwfvaw1_6YAt3_bAwtHM3al0NRCNuOEVg/s1600/00106521138583____1__1000x1000.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV6Nr8raC7Gv5E5T3RdtS7q2AL1BNECJ4Z6gAYLWiheNsr3JrNzbYheVjbqFXC3i6sAJ55JOgnWiMFosTGTa4k3WwJOjddwhbrBeWAAUGCdbMNwfvaw1_6YAt3_bAwtHM3al0NRCNuOEVg/s1600/00106521138583____1__1000x1000.jpg" height="400" width="400" /></a></span></div>
<span style="font-size: small;"><br /></span>
<span style="font-size: small;"><br /></span>
<span style="font-size: small;"><br /></span>
<span style="font-size: small;"><br /></span>
<br />
<div style="font-family: Verdana,sans-serif;">
<span style="font-size: small;">Si un dels millors llibres de l'any passat va ser <a href="http://www.quadernscrema.com/llibres/la-llebre-amb-ulls-d-ambre" target="_blank"><i><b>La llebre amb ulls d'ambre</b></i></a> d'<b>Edmund de Waal</b>, just començat l'any ja tenim el que, a parer nostre, serà un dels llibres del 2014: <a href="http://www.grup62.cat/llibre-el-somni-de-lucreci-116491.html" target="_blank"><i><b><span style="color: #0b5394;">El somni de Lucreci,</span></b></i></a> de <b>Martí Domínguez. </b></span><span style="font-size: small;"><b> </b></span></div>
<span style="font-size: small;"><br /></span>
<span style="font-size: small;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS-1sUNTJ60cLKmmQsuX-Wd4jlB90AKiWtJn-39TeTFaYJjCfpuj5NGm2wVya5Cy515JuuWLW56PysfGxEMjJ7MRwScWcSSyAy1ozC8z6qRrQ2kTcbVuIt7LEC1MDoGDGo0wEn-QWRuigT/s1600/virginia-woolf-i-el-grup-de-bloomsbury.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS-1sUNTJ60cLKmmQsuX-Wd4jlB90AKiWtJn-39TeTFaYJjCfpuj5NGm2wVya5Cy515JuuWLW56PysfGxEMjJ7MRwScWcSSyAy1ozC8z6qRrQ2kTcbVuIt7LEC1MDoGDGo0wEn-QWRuigT/s1600/virginia-woolf-i-el-grup-de-bloomsbury.jpg" height="320" width="320" /></a></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><br /></span></div>
<span style="font-size: small;"><br /></span>
<span style="font-family: Verdana,sans-serif; font-size: small;">Una altre llibre per seguir xalant:<span style="color: #0b5394;"> </span></span><span style="font-size: small;"><i style="color: #0b5394; font-family: Verdana,sans-serif;"><b><a href="http://www.arallibres.cat/cont/cataleg/cataleg_araLlibres_fitxa_cat.php?idField=593&table=catalogo" target="_blank">Virginia Woolf i el grup de Bloomsbury</a></b></i></span><span style="font-family: Verdana,sans-serif; font-size: small;"> de <b>Marta Pessarrodona</b></span><span style="font-size: small;">. </span><span style="font-family: Verdana,sans-serif; font-size: small;">Ja sabeu que per aquests verals</span><span style="font-size: small;"> </span><span style="font-family: Verdana,sans-serif; font-size: small;">ens delim per La Pessarrodona. Llegir aquest llibre és deixar-se acompanyar per la seva veu (nosaltres la sentim),ben documentada, sobre el </span><span style="font-size: small;"><i style="font-family: Verdana,sans-serif;">món</i></span><span style="font-family: Verdana,sans-serif; font-size: small;"> de Bloomsbury.</span><br />
<span style="font-size: small;"><br /></span>
<span style="font-size: small;"><br /></span>
<br />
<div style="font-family: Verdana,sans-serif;">
<span style="font-size: small;"><a href="http://www.cugat.cat/diari/sons/92489/pessarrodona___dec_tenir_un_miler_de_llibres_sobre_woolf_i_el_grup_de_bloomsbury_" target="_blank"><b><span style="color: #0b5394;">Dec tenir un miler de llibres sobre Virginia Woolf i el grup de Bloomsbury</span></b></a></span></div>
<div style="font-family: Verdana,sans-serif;">
<span style="font-size: small;"><a href="http://www.cugat.cat/diari/sons/92489/pessarrodona___dec_tenir_un_miler_de_llibres_sobre_woolf_i_el_grup_de_bloomsbury_" target="_blank"><b> </b></a></span></div>
<div style="font-family: Verdana,sans-serif;">
<span style="font-size: small;">(No cal dir que esperem segones i terceres parts, doncs)</span></div>
<div style="font-family: Verdana,sans-serif;">
<span style="font-size: small;"><b><br /></b></span></div>
<div style="font-family: Verdana,sans-serif;">
<span style="font-size: small;"><b style="background-color: #0b5394; color: #f3f3f3;">Sobre l'any Vinyoli, allò important de debò és tenir-ne la seva Obra Completa a mà. Sempre.</b></span><b></b><br />
<b><br /></b>
<b><br /></b>
En record de Juan Gelman<br />
<span style="color: #9bc9bb; font-family: Georgia; font-size: small;"> </span></div>
<div style="font-family: Verdana,sans-serif;">
<b style="color: black;"><span style="font-family: Georgia; font-size: small;">Epitafio</span></b>
<div style="color: black; font-family: Verdana,sans-serif;">
<br /></div>
<div style="color: black; font-family: Verdana,sans-serif;">
<span style="font-size: small;">Un pájaro vivía en
mí.<br />
Una flor viajaba en mi sangre.<br />Mi corazón era un violín.
</span></div>
<div style="color: black; font-family: Verdana,sans-serif;">
<br /></div>
<div style="color: black; font-family: Verdana,sans-serif;">
<span style="font-size: small;">Quise o no quise.
Pero
a veces<br />me quisieron. También a mí<br />me alegraban: la primavera,<br />
las manos juntas, lo feliz.
</span></div>
<div style="color: black; font-family: Verdana,sans-serif;">
<br /></div>
<div style="color: black; font-family: Verdana,sans-serif;">
<span style="font-size: small;">¡Digo que el hombre
debe serlo!
</span></div>
<div style="color: black; font-family: Verdana,sans-serif;">
<br /></div>
<div style="color: black; font-family: Verdana,sans-serif;">
<span style="font-size: small;">Aquí yace un pájaro.<br />
Una flor.<br />Un violín.</span></div>
<b><br /></b></div>
Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com0tag:blogger.com,1999:blog-4005879982718657213.post-37176201020974590942013-10-26T12:20:00.000-07:002013-10-26T12:27:21.351-07:00(autoretret, també...)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF43OjudsDMLCQI5wi6Aebz2R_7gstiAg8KsNznSwD1tmvMeJ3R6t2Cj65rWYMp3T9NV6UQ73dcOMYgiFJfhijz7cEIh-I3CVYKTxJx7dJuH061ylbKGEJ6S0iF_PlTLVJq_8CzIYYBELy/s1600/MALECON.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF43OjudsDMLCQI5wi6Aebz2R_7gstiAg8KsNznSwD1tmvMeJ3R6t2Cj65rWYMp3T9NV6UQ73dcOMYgiFJfhijz7cEIh-I3CVYKTxJx7dJuH061ylbKGEJ6S0iF_PlTLVJq_8CzIYYBELy/s400/MALECON.jpg" width="400" /></a></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div style="text-align: center;">
<br /></div>
<br />
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<br />
<div class="MsoNormal">
<span lang="CA" style="font-family: Georgia;">Revisitant </span><a href="http://www.alianzaeditorial.es/fichaGeneral/ficha.php?obrcod=1049615&web=34" target="_blank"><span lang="CA" style="font-family: Georgia; font-size: 14.0pt;">El candelabro de los siete
brazos</span></a><span lang="CA" style="font-family: Georgia;"><a href="http://www.alianzaeditorial.es/fichaGeneral/ficha.php?obrcod=1049615&web=34" target="_blank"> (PSALMOS)</a> de <b style="mso-bidi-font-weight: normal;">Rafael Cansinos Assens</b>, uns petits
extractes que dedico a la amiga Irmixka, en qui per alguna associació misteriosa he pensat llegint-los i com a torna del seu<b> <a href="http://irmaurrutia.wordpress.com/2013/08/08/un-ami-avec-lelegance-du-herisson/" target="_blank">apunt</a></b>. </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="CA" style="font-family: Georgia;">Grazie ancora.</span></div>
<div class="MsoNormal">
<span lang="CA" style="font-family: Georgia;">Baci bella!</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="CA" style="font-family: Georgia; font-size: 14.0pt;">El
reproche a los amigos</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="CA" style="font-family: Georgia;">(autoretret,
també...)</span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;"><span lang="CA" style="font-family: Georgia;">Alef</span></i></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="CA" style="font-family: Georgia;"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Veo
a los amigos que un día hicieron conmigo el prodigioso viaje de la juventud y
los hallo cambiados y desconocidos: la sombra de un cuidado se extiende sobre
sus frentes y, con la vista baja, parecen avergonzarse de haber sido jovenes un
día.</span></div>
<div class="MsoNormal">
<span lang="CA" style="font-family: Georgia;"><span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal">
<span lang="CA" style="font-family: Georgia;"><span style="mso-spacerun: yes;"> </span>En aquel tiempo, ya lejano, parecían tener
alas y exhalaban un álito de fuego por sus ávidas bocas; sus frebte
resplandecian como altas tiaras.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="CA" style="font-family: Georgia;">...</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;"><span lang="CA" style="font-family: Georgia;">Bet</span></i></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="CA" style="font-family: Georgia;"><span style="mso-spacerun: yes;"> </span>En otro tiempo, se mostraron bellos y
audaces sobre la tierra, nueva para sus pies; reunían el valor y la gracia y
sus cabelleras largas descendían sobre sus hombros como las ondas de un óleo
dorado.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="CA" style="font-family: Georgia;">...</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;"><span lang="CA" style="font-family: Georgia;">Vav</span></i></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="CA" style="font-family: Georgia;"><span style="mso-spacerun: yes;"> </span>...</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="CA" style="font-family: Georgia;"><span style="mso-spacerun: yes;"> </span>Siempre libre y fugaz, no he ofrecido mi
mano a ningún lazo; ni he arrojado al agua un áncora pesada.</span></div>
<div class="MsoNormal">
<span lang="CA" style="font-family: Georgia;"><span style="mso-spacerun: yes;"> </span>Y siempre ligero, ingenuo y aturdido, sin
cuentas en los dedos, sin fines ni caminos, soy para los hombres graves como un
recuerdo de la juventud.</span><br />
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<span lang="CA" style="font-family: Georgia;">I una altra de les ja tantíssimes associacions: </span></div>
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Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com2tag:blogger.com,1999:blog-4005879982718657213.post-34541600935992895652013-09-23T07:01:00.002-07:002013-09-23T07:01:42.696-07:00Ombres<div style="text-align: justify;">
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<span style="font-family: Georgia, "Times New Roman", serif;">Retornem a <a href="http://www.quadernscrema.com/llibres/contra-tota-esperanca" target="_blank"><b><i>Contra tota esperança</i></b></a>, que vàrem guardar ben a prop per tenir-la a mà. </span><br />
<span style="font-family: Georgia, "Times New Roman", serif;">El xàfec que ens cau aquests dies, més intens<i> </i>però el mateix xàfec de sempre, el que hem viscut tantes vegades al llarg de la nostra història,</span><span style="font-family: Georgia, "Times New Roman", serif;"> ens ha portat a revisitar aquest llibre d'algú que va viure en un xàfec de terror i humiliació gairebé tota la vida. Per allò de relativitzar... </span><br />
<span style="font-family: Georgia, "Times New Roman", serif;"><br /></span>
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<i><span style="font-family: Georgia, "Times New Roman", serif;">Allà, darrere filferro espinós,</span></i></div>
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<i><span style="font-family: Georgia, "Times New Roman", serif;">al cor mateix de la taigà,</span></i></div>
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<span style="font-family: Georgia, "Times New Roman", serif;"><i>porten la meva ombra a interrogar,</i></span><br />
<span style="font-family: Georgia, "Times New Roman", serif;"><i>... </i> </span></div>
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<span style="font-family: Georgia,"Times New Roman",serif;">Anna Akhmàtova</span></div>
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<i><span style="font-family: Georgia,"Times New Roman",serif;">En la única cosa que es podia confiar </span><span style="font-family: Georgia, "Times New Roman", serif;">era en la pròpia resistència i en la disciplina. Renuncia a l'esperança, espera la mort i no perdis la dignitat humana.</span></i></div>
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<i><span style="font-family: Georgia, "Times New Roman", serif;">A mi, un cop sola, el que més m'ha sostingut sempre ha estat la frase de l'Óssip: </span></i><span style="font-family: Georgia, "Times New Roman", serif;">¿Perquè se t'ha ficat al cap que has de ser feliç?</span><i><span style="font-family: Georgia, "Times New Roman", serif;"> i també les paraules de l'arxiprest Avvakum. A la seva defallida esposa que li preguntava: </span></i><span style="font-family: Georgia, "Times New Roman", serif;">¿Fins quan haurem encara de caminar així, arxiprest?</span><i><span style="font-family: Georgia, "Times New Roman", serif;">, el marit li va contestar: </span></i><span style="font-family: Georgia, "Times New Roman", serif;">Fins a la tomba, esposa d'un popa</span><i><span style="font-family: Georgia, "Times New Roman", serif;">, i la dona es va aixecar i va continuar caminant.</span></i></div>
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<span style="font-family: Georgia, "Times New Roman", serif;"><br /></span></div>
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<span style="font-family: Georgia, "Times New Roman", serif;">Nadejda Mandelstam </span><br />
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<span style="font-family: Georgia, "Times New Roman", serif;">...I per mantenir, ferms, el coratge i l'objectiu.</span><br />
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<span style="font-family: Georgia, "Times New Roman", serif;"> "SILENTIUM!" </span></div>
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No ha pas vingut encara al món,</div>
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alhora música i paraula,</div>
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en cada cosa viva es guarda,</div>
<span style="font-family: Georgia,"Times New Roman",serif;">per ella tot es correspon.</span><br />
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<span style="font-family: Georgia,"Times New Roman",serif;">El pit del mar, tranquil, respira,</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">prô el dia es torna boig de llum,</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">i, lila pàl·lida, s'esmuny</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">l'escuma al vas d'aiguamarina.</span><br />
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<span style="font-family: Georgia,"Times New Roman",serif;">Que la puresa original,</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">com una nota crital·lina,</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">toqui els meus llavis algun dia</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">amb el silenci virginal.</span><br />
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<span style="font-family: Georgia,"Times New Roman",serif;">Resta, Afrodita, escuma viva,</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">que tornin a ser un aire els mots,</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">i aprèn, oh cor, d'un altre cor,</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">fos amb l'origen de la vida!</span><br />
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<span style="font-family: Georgia,"Times New Roman",serif;"> 1910, 1935 </span></div>
Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com3tag:blogger.com,1999:blog-4005879982718657213.post-57820075059567958962013-09-06T14:05:00.001-07:002013-09-10T14:51:13.164-07:00L'Onze de les mans esteses<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: large;"><b>t'khià</b> (n<span style="font-size: x-small;">o</span>117), de la mà de <b><a href="http://salsa-ficcio.blogspot.com.es/2013/09/mai-tan-prop.html" style="color: #38761d;" target="_blank">salsa-ficció</a></b> (n<span style="font-size: x-small;">o</span>116), dona la má a <b><a href="http://elcinquevago.blogspot.com.es/" style="color: #0b5394;" target="_blank">El cinquè vagó</a> </b>(n<span style="font-size: x-small;">o</span> 118)<b> e</b>n la cadena de blogs per la <span style="color: #444444;">independència.</span><b> </b></span></div>
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<span style="font-size: large;">Sabem amb certesa de molts catalans a qui hauria agradat participar en la Via catalana per la independència però no podran. A t'khià us proposem estendre-li la mà </span><span style="font-size: large;">a algún d'ells per fer-los simbòlicament presents. En el nostre cas hem pensat en la Maria Àngels Anglada, que de
ben segur estaria orgullosa i emocionada de participar-hi.</span><span style="font-size: large;"> I al pare, que potser hauria perdut la por endèmica dels vençuts.</span></div>
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<span style="font-size: large;">A la seva memòria.</span></div>
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<span lang="CA" style="font-family: Impact; font-size: 14.0pt;">Quan
el nostre poble es retrobarà</span></div>
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<span lang="CA" style="font-family: Georgia; font-size: 14.0pt;">Quan
dits d'alba trauran estranys vels del seu rostre, estols <br />
de mots nous naixeran. Per cingleres de llavis les síl<span style="font-size: x-small;"><span style="font-family: Georgia,"Times New Roman",serif;">•</span></span>labes <br />
trescaran com els ràpids isards. <br />
Vell jardí tant de temps emmurat entre tanques, <br />
a milers els penjolls d'unes noves, vermelles cireres <br />
dringaran tot just nades i sé que les mans <br />
que s'hi allarguin mai més no seran decebudes. <br />
<br />
No em pregunteu si ho veurem, ans amb mi celebreu-ho <br />
per endavant. Us ho dic amb frisança <br />
i alabastre de vol que m'espolsa <br />
aquest pòsit d'antiga tristesa a les ales.</span></div>
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<span lang="CA" style="font-family: Georgia; font-size: 14.0pt;"> Maria
Àngels Anglada</span></div>
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<span lang="CA" style="font-family: Impact; font-size: 14.0pt;">El
poble erra perdut</span></div>
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<span lang="CA" style="font-family: Georgia; font-size: 14.0pt;">El
poble erra perdut.<br />
L'han esbrancat a còpia de derrotes,<br />
se n’ha aprimat l'alè,<br />
s'ha eixamplat l'esvoranc<br />
que n'afebleix la idea.<br />
<br />
Ara aprèn dels seus límits,<br />
escolta el seu batec,<br />
fidel a si mateix,<br />
s'avesa a altres mirades<br />
des del saber<br />
dels dies<br />
i les morts.<br />
<br />
L'error és tan antic<br />
com l'aigua.<br />
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Escolta,<br />
el poble recomença,<br />
l'esforç és persistent,<br />
no expira la paraula,<br />
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<span lang="CA" style="font-family: Georgia; font-size: 14.0pt;"> Carles
Duarte</span></div>
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<span lang="CA" style="font-family: Georgia; font-size: 14pt;">A t'khià us estenem la mà des d'ara.</span></div>
Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com12tag:blogger.com,1999:blog-4005879982718657213.post-39649043571012607992013-08-31T05:29:00.001-07:002013-08-31T08:02:49.455-07:00ANC ISRAEL<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: x-large;"><span style="background-color: white; color: #073763;"><span style="color: #0b5394;">ANC</span> </span><span style="background-color: white; color: #0b5394;">ISRAEL</span></span></div>
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<span style="font-size: x-large;"><span style="font-family: Georgia,"Times New Roman",serif;">BENVIGUTS<span style="font-family: Verdana,sans-serif;">!!</span></span></span></div>
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<span style="font-family: Verdana,sans-serif; font-size: x-large;">!!</span><span style="color: #0b5394; font-family: Verdana,sans-serif; font-size: x-large;">ברוך הבא</span><span style="font-size: x-large;"><span style="font-family: Georgia,"Times New Roman",serif;"></span></span></div>
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(ens comprometem repetir la foto amb les banderes planxades...</div>
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Ho hem provat i no ens en sortim, i por de cremar-les) </div>
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Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com0tag:blogger.com,1999:blog-4005879982718657213.post-68073867090624820152013-08-26T11:32:00.000-07:002013-08-26T11:32:02.694-07:00També la teva por<div style="text-align: center;">
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<span style="font-family: Georgia,"Times New Roman",serif;">De la cua oscilant de lectures pendents finalment li ha arribat el torn a <b>Victus</b>, de l'Albert Sanchez Piñol. Ens sap greu haver-la fet esperar tant, perquè de seguida ens ha enganxat. Si en parlem, però, no és per qüestions literàries, que ja ho han fet d'altres infinitament millor del que ho fariem aquí, sinó per aquest fragment:</span></div>
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<i>Al món no hi ha res que distorsioni tant la realitat com el pànic. Si no era conscient de la meva por, la por hi veuria en lloc meu. O, com diuen els Ducroix: "La por li pujarà fins als ulls i hi veurà enlloc seu".</i></div>
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Doncs això.<i></i></div>
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<i>A </i><a href="http://www.nuvol.com/noticies/victus-tres-setmanes-despres/" target="_blank"><b>NÚVOL</b></a></div>
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<i><br /></i></div>
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<a href="http://www.victus1714.com/" target="_blank"><b>VICTUS 1714</b></a><i><br /></i></div>
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Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com0tag:blogger.com,1999:blog-4005879982718657213.post-35444202797054344142013-08-22T04:39:00.001-07:002013-08-22T04:39:15.765-07:00REMORS<div class="MsoNormal" style="text-align: center;">
<b><span lang="CA"> </span><span lang="CA" style="font-family: Georgia;">petita geografia
vital</span><span lang="CA"> </span></b></div>
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<span lang="CA" style="font-family: Georgia;">La remor de
l’aigua de la font <i style="mso-bidi-font-style: normal;">de l’avi</i>,
de plaça (avui amb purins). Les remors vegetals al nostre
pas. La remor dels àlbers acaronats pel vents que t’acompanyaven pel
camí i,
des d’aleshores, tots els àlbers i les seves remors i les seves fulles
tremoloses. I més remors de més arbres, pins, alzines potser i d’altres
dels que no en sabem el nom. Lleus remors als carrers buits de les
tardes al cor de l’estiu. Remors de grills. Remors domèstiques. Entre
tantes altres
remors.</span></div>
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<span lang="CA" style="font-family: Georgia;">Per
estirar les
cames i airejar-nos, res de senderisme, refem un vell camí i ens
retrobem amb aquesta petita geografia
vital, parcial i total alhora, i ho pensem, ho sentim, ho constatem i,
ara aquí
ho documentem i ho deixem negre sobre blanc -i amb il·lustracions-, com
un d'aquests patrimonis (gairebé) intangibles que, juntament
amb el dels afectes, són els únics patrimonis que, malgrat no ens els
endurem,
tampoc no ens els podran prendre.</span></div>
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<span lang="CA" style="font-family: Georgia;">EL FULLAM DE
L’ÀLBER</span></div>
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<span lang="CA" style="font-family: Georgia;">El riu brillant, la Prada repintada</span></div>
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<span lang="CA" style="font-family: Georgia;">Contemplen, àlber,
ton fullam joliu.</span></div>
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<span lang="CA" style="font-family: Georgia;">-És verd –ha dit
la teva mare Prada.</span></div>
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<span lang="CA" style="font-family: Georgia;">-Oh, no, d’argent
–ha dit ton pare Riu.</span></div>
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<span lang="CA" style="font-family: Georgia;"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Josep Carner</span></div>
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<span lang="CA" style="font-family: Georgia;">Me l’ha trobat la
mare. Gràcies!</span></div>
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<span lang="CA" style="font-family: Georgia;">Com
que l'estirada de cames l'hem feta, gràcies a la nostra vocació
excursionista, en xancletes i calça curta, a la font de la teula hi
anirem un altre dia... Aquest n'és el camí vist des de la font de plaça.
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<span lang="CA" style="font-family: Georgia;">Une floretes que ens hem trobat pel camí, no ens en demaneu el nom, per la Miraculosa.</span></div>
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<span lang="CA" style="font-family: Georgia;"> I aquestes pel Capità |-)</span></div>
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<span lang="CA" style="font-family: Georgia;">Altres remors que ens hem trobat pel camí: </span></div>
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<span lang="CA" style="font-family: Georgia;">I aquesta per la col·lecció. No és el meu pols, és la lluna que vibra...</span></div>
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<b><span lang="CA" style="font-family: Georgia;">Buscant àlbers per la xarxa hem trobat aquest <span style="background-color: white; color: black;">superlatiu</span> blog, que és el més important que heu de treure d'aquest apunt. No us en perdeu cap racó.</span></b></div>
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<span lang="CA" style="font-family: Georgia;"><a href="http://ephemera.cat/bloc/" target="_blank"><b><span style="background-color: #cfe2f3; color: #073763; font-size: large;">EPHEMERA</span></b></a> </span></div>
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<br />Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com4tag:blogger.com,1999:blog-4005879982718657213.post-26092623386281188152013-08-19T13:10:00.002-07:002013-08-23T03:13:38.187-07:00No trobem títol per aquest apunt<div style="font-family: Georgia,"Times New Roman",serif; text-align: center;">
Ni estem segurs que el negre sigui el color més adequat.</div>
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<b style="background-color: white; color: #f3f3f3; font-family: Verdana,sans-serif;"><a href="http://bajurtov.wordpress.com/2013/08/17/sionismo-separatismo-catalan-y-la-associacio-catalana-damics-disrael/" target="_blank">Sionismo, separatismo catalán y la Associació Catalana d'Amics d'Israel</a></b><br />
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<b style="color: #990000; font-family: Georgia,"Times New Roman",serif;">Aquest enllaç ja no és actiu. L'autor del bòmit ha retirat l'escampall</b><b style="color: #990000;"><span style="font-family: Georgia,"Times New Roman",serif;">. O li han fet retirar... Però als comentaris el trobareu gràcies al documentat Capità.</span></b><br />
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<span style="font-family: Georgia,"Times New Roman",serif;">Exabrupte, potser? Degradant? Deposició?</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"></span><br />
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<span style="font-family: Georgia,"Times New Roman",serif;"> </span><br />
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<b style="background-color: white; color: #f3f3f3; font-family: Verdana,sans-serif;">dd </b>Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com23tag:blogger.com,1999:blog-4005879982718657213.post-9424930554027929492013-08-16T03:01:00.001-07:002013-08-18T02:57:34.229-07:00Ah! Riiic de veure'm tan bella en aquest miraaaaaall<div class="separator" style="clear: both; text-align: center;">
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És el <a href="http://www.naciodigital.cat/noticia/58005/bianca/castafiore/fa/75/anys%20" target="_blank">setanta-cinquè aniversari</a> de Bianca Castafiore, La Gran Diva i devota admiradora del Capità Haddock, com nosaltres. Admiradors, no dives... Per molts anys, Bravissima!</div>
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<span style="font-family: Georgia,"Times New Roman",serif;">Volem aprofitar l'ocasió per despertar <a href="http://hasbarats.blogspot.com.es/" target="_blank"><b style="color: magenta;">el Capità</b></a> de la seva letargia, tot recordant-li que al país hi van passant coses i necessitem referents com el seu, que trobem a faltar.</span></div>
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Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com4tag:blogger.com,1999:blog-4005879982718657213.post-87548082038934689322013-08-14T15:09:00.001-07:002013-08-14T15:24:02.099-07:00Bignònies, Pessarrodona, ...<!--[if gte mso 9]><xml>
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<span lang="CA" style="font-family: Georgia;">Desconeixia les
bignònies fins que les vaig descobrir en aquest poema de la Marta Pessarrodona i que avui he
recordat al trobar-les en el <a href="http://llorensferri.blogspot.com.es/2012/08/quimiografias_6610.html" target="_blank">bodegó</a> del <a href="http://llorensferri.blogspot.com.es/" target="_blank"><b>blog d'en Llorens Ferri</b></a> que il·lustra <span style="mso-spacerun: yes;"></span>aquest apunt.</span></div>
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<span lang="CA" style="font-family: Impact; font-size: 11.0pt;">BIGNÒNIES
A MIRA-SOL ALT</span></div>
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<span lang="CA" style="font-family: Verdana; font-size: 11.0pt;">Som
prop i tan lluny.</span></div>
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<span lang="CA" style="font-family: Verdana; font-size: 11.0pt;">Les
bignònies, potser fugaces,</span></div>
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<span lang="CA" style="font-family: Verdana; font-size: 11.0pt;">em
sorprenen a cada passa.</span></div>
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<span lang="CA" style="font-family: Verdana; font-size: 11pt;">No
t’he oblidat,</span></div>
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<span lang="CA" style="font-family: Verdana; font-size: 11.0pt;">a
desgrat que han passat tants</span></div>
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<span lang="CA" style="font-family: Verdana; font-size: 11.0pt;">i
tants anys que ni vull comptar-los.</span></div>
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<span lang="CA" style="font-family: Verdana; font-size: 11pt;">El
meu no oblit, la meva recança,</span></div>
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<span lang="CA" style="font-family: Verdana; font-size: 11.0pt;">sempre
tindrà el color d’elles:</span></div>
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<span lang="CA" style="font-family: Verdana; font-size: 11.0pt;">el
groc esquitxat de vermell, indefinible.</span></div>
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<a href="http://tintaxinesa.blogspot.com/2010/04/w-h-auden-funeral-blues.html" target="_blank"><span lang="CA" style="font-family: Verdana; font-size: 11pt;">No
vas ser ni el meu nord,</span></a></div>
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<span lang="CA" style="font-family: Verdana; font-size: 11.0pt;"><a href="http://tintaxinesa.blogspot.com/2010/04/w-h-auden-funeral-blues.html" target="_blank">ni el meu sud, ni l’est, ni l’oest</a>.</span></div>
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<span lang="CA" style="font-family: Verdana; font-size: 11.0pt;">En
un temps, però, ho vas ser tot.</span></div>
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<span lang="CA" style="font-family: Verdana; font-size: 11pt;">Males
passades cardinals,</span></div>
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de colors, de les flors,</span></div>
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<span lang="CA" style="font-family: Verdana; font-size: 11.0pt;">geografia
inútil altra vegada.</span><br />
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<span style="font-family: Georgia,"Times New Roman",serif;">D' <b>Animals i plantes</b>, </span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"> Ed. Meteora</span><br />
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<span lang="CA" style="font-size: 11pt;">I de la mà de la Pessarrodona a la de Brel en una associació <i>floral </i> </span></div>
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<span style="font-family: Verdana, sans-serif;">Aquest capvespre de casa estant</span><br />
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Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com2tag:blogger.com,1999:blog-4005879982718657213.post-42932944819425616302013-08-09T04:46:00.002-07:002013-08-09T05:46:28.023-07:00Moisès i Aaron¿Qui sóc jo per oposar-meal poder de la ceguesa?<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.fragmenta.cat/ca/cataleg/sagrats/152088" target="_blank"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiP4WGe5wZm9HkZ_Ms8MNMBGc1r9EYS9riacBR52TE4PIwZNAhhwGL853klA7bnETDKOiJF0F8FSk6-0hFombSOfPEHBHepXyatZF9Zq8vkhOCJNUOd4xecWcwUulJtfBNHFlopMvd3Fus/s400/book_detail_image.jpg" width="250" /></a></div>
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<span style="font-family: Georgia, "Times New Roman", serif;">Al l'article <i>Això de l'estiu... </i>de Víctor Sunyol, a El 9 nou d'aquest divendres, nou d'agost, critica l'actitud dominat a l'estiu respecte la lectura i la cultura en general. Això de guardar-se les lectures que demanen més temps i atenció per l'estiu i quan aquest arriba deixar-les perquè no s'està per pensar.</span></div>
<div style="text-align: justify;">
<i><span style="font-family: Georgia, "Times New Roman", serif;">Es a dir: quan no és estiu, com que la feina ens ocupa molt de temps i ens atabala, no podem dedicar-nos a allò que ens enriqueix, forma i fa pensar. I quan és estiu, com que estem de vacances, tampoc. Fantàstic.</span></i></div>
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<i><span style="font-family: Georgia, "Times New Roman", serif;">Si no volem morir, potser que repenséssim això de "lectures d'estiu" o "activitats light estiuenques". Si no, estarem distrets, sí, però morts per dins. </span></i></div>
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<span style="font-family: Georgia,"Times New Roman",serif;">Doncs</span> <span style="font-family: Georgia, "Times New Roman", serif;">bé, a <i style="background-color: white; color: #0b5394;">t'khià</i> ens ho prenem al peu de la lletra i proposem treballar-<i>nos</i></span> <span style="font-family: Georgia,"Times New Roman",serif;">multidisciplinàriament. </span><span style="font-family: Georgia, "Times New Roman", serif;">De la mà de Fragmenta, Lluís Duch i Josep Barcons</span><span style="font-family: Georgia,"Times New Roman",serif;"> per un costat, amb aquesta edició</span> <span style="font-family: Georgia,"Times New Roman",serif;">del <i>libret</i>to <a href="http://ca.wikipedia.org/wiki/Moses_und_Aron" target="_blank"> </a><b><a href="http://ca.wikipedia.org/wiki/Moses_und_Aron" style="color: magenta;" target="_blank">Moisès i Aaron</a> </b>d'<b><a href="http://ca.wikipedia.org/wiki/Arnold_Sch%C3%B6nberg%20" style="color: purple;" target="_blank">Arnold Schönberg</a></b></span> <span style="font-family: Georgia, "Times New Roman", serif;">amb una extensa i documentada introducció i de l'altra amb una versió de l'òpera dirigida per Willy Decker.</span></div>
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<span style="font-family: Georgia, "Times New Roman", serif;">Tingueu a mà la<b> <a href="http://www.biblija.net/biblija.cgi?l=ca" target="_blank">BCI</a></b></span></div>
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<br /></div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
Un fragment: </div>
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<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
UN SACERDOT</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
El teu bastó ens obliga,</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
¡però no obliga el faraó</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
a donar-nos la llibertat!</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
AARON</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
El vostre coratge s'ha fracturat,</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
ha desaparescut el vostre orgull:</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
serviu sense cap esperança,</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
i no creieu ni en vosaltres mateixos</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
ni tampoc en Déu.</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
¡El vostre cor està malat!</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
¡Així no obligareu pas el faraó!</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
COR</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
¡El faraó és fort!</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
¡Nosaltres som febles!</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
AARON</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
Mireu la mà de Moisès:</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
és sana i forta.</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
Però el cor de Moisès és ara semblant al vostre,</div>
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perquè sap que sou febles i descoratjats.</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
Si porta la seva mà cap aquest cor,</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
que està malalt com el vostre,</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
¡mireu!</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
COR</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
¡Lepra! ¡Fugiu!</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
¡Eviteu-lo!</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
¡No el toqueu!</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
¡Emmalaltireu!</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
¡Lepra!</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
AARON</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
Reconeixeu-vos en això:</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
¡descoratjats, malalts, menyspreats,</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
esclavitzats, turmentats!</div>
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Però ara, en el pit de Moisès, hi habita</div>
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l'esperit del Déu fort,</div>
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que obligarà el faraó</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
a abolir el vostre esclavatge.</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
¡Mireu!</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
6 VEUS SOLISTES</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
¡Mireu!</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
AARON</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
Si ara Moisès porta aquest cor fort</div>
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la mà malalta i amb lepra...</div>
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COR</div>
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¡Miracle!¡Vegeu!¡Miracle!</div>
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¡La mà està sana i forta!</div>
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AARON</div>
<div style="font-family: Georgia,"Times New Roman",serif; text-align: justify;">
Reconeixeu-vos també en això: </div>
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<span style="font-family: Georgia,"Times New Roman",serif;"> ¡el vostre coratge vencerà el faraó!</span></div>
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<span style="font-family: Georgia, "Times New Roman", serif;">Costerut, eh? Alleugerim-ho, però sense rebaixes!</span></div>
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<span style="font-family: Georgia, "Times New Roman", serif;">amb La Maria Farantouri. </span></div>
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Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com5tag:blogger.com,1999:blog-4005879982718657213.post-90948045912600979152013-08-05T02:49:00.003-07:002013-08-05T02:51:43.474-07:00Fent via tram a tram<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitZBo3p2VRoHIGtpWidbZUF0dTbq4WUYcMD8r95D_8KgWoeWrAIniCWbSOQJkpC8YEE2qNWAhUAk998AYXpbq-bosQ5Wgin307LlfAiTSV9EpwLZcrSTRt__SdoDrvPDch_bLFmARoHNq_/s1600/cadenahumana+bra%C3%A7alets.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="187" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitZBo3p2VRoHIGtpWidbZUF0dTbq4WUYcMD8r95D_8KgWoeWrAIniCWbSOQJkpC8YEE2qNWAhUAk998AYXpbq-bosQ5Wgin307LlfAiTSV9EpwLZcrSTRt__SdoDrvPDch_bLFmARoHNq_/s400/cadenahumana+bra%C3%A7alets.jpg" width="400" /></a></div>
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<i><span style="font-size: large;">El país l'any passat es va mobilitzar a Barcelona, ara demanem que
Barcelona es desplaci i demostrem que som un país. Estem contents,
però hem de ser molts més.</span></i></div>
<div style="background-color: yellow; color: #990000; font-family: Georgia,"Times New Roman",serif;">
<span style="font-size: large;">Carme Forcadell </span></div>
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<span style="font-size: large;">A un servidor la cadena li passa per davant de casa a Barcelona, però se'n va a un tram de Caldes de Malavella.</span><br />
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<span style="font-size: large;">Trams que us necessiten <a href="http://www.vilaweb.cat/noticia/4133959/20130720/quins-trams-via-catalana-queden-omplir.html" target="_blank"><span style="background-color: yellow; color: #990000;">AQUÍ</span></a><span style="background-color: yellow; color: #990000;"> </span><span style="color: #990000;"> </span></span></div>
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Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com0tag:blogger.com,1999:blog-4005879982718657213.post-56787566410147683152013-08-02T08:09:00.002-07:002013-08-02T09:02:06.415-07:00Senyores senyeres<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Georgia, "Times New Roman", serif;">Acabo de recordar una anècdota, no sé si mite urbà o real, que em sembla que us abellirà. La recordo una mica vagament explicada per l'amiga Irmixka, que ja me la corregirà si m'erro i si era mite o no. Això era un sopar d'aquests que ara s'en diuen multiculturals on bona part dels comensals venien de països que havien patit règims totalitaris de diferents signes. En un moment de la conversa surten a col·lació la repressió que podien provocar autèntiques nimietats. En aquest punt un català explica que al seu pare el van tancar per penjar una senyera, però, en mig de l'alleugiment general, doncs van ser només unes hores, una nouvinguda que encara no dominava els matisos de la llengua pregunta astorada: </span></div>
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<span style="font-family: Georgia, "Times New Roman", serif;">-Ah! La senyora no murió?-</span></div>
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<span style="font-family: Georgia,"Times New Roman",serif;">En fi, se non è vero, è ben trobato, oi?</span></div>
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<span style="font-family: Georgia,"Times New Roman",serif;">Us deixo amb una altra senyora</span>, <span style="font-family: Georgia, "Times New Roman", serif;">que no és la senyora de la foto que fa cara d'acabar de sentir les últimes males excuses (i van...) d'en Rajoy, però que s'hi podria assemblar molt...</span></div>
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Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com3tag:blogger.com,1999:blog-4005879982718657213.post-18968715374755090942013-07-29T02:15:00.000-07:002013-07-29T02:15:07.810-07:00KIPÀ INDEPE O KIPÀ ATZMAUT<div class="separator" style="clear: both; text-align: center;">
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Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com0tag:blogger.com,1999:blog-4005879982718657213.post-15472337178095554272013-07-26T13:05:00.003-07:002013-07-28T00:29:31.260-07:00Howard Roark's Courtroom Speech From The Fountainhead, by Ayn Rand<!--[if gte mso 9]><xml>
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<b><span lang="EN-GB" style="color: #9f8d57; font-family: Georgia; font-size: 12pt;"><span style="color: black; font-weight: normal;">Aquesta setmana he tornat a veure <a href="http://www.imdb.com/title/tt0041386/" target="_blank">The fountainhead</a>, la pel·lícula basada en <a href="https://en.wikipedia.org/wiki/The_Fountainhead" target="_blank">el llibre</a> del mateix títol d'<a href="https://en.wikipedia.org/wiki/Ayn_Rand" target="_blank">Ayn Rand</a>, amb aquest superlatiu speech final que tal com l'he trobat el planto:</span></span></b></h2>
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<a href="http://www.nasonart.com/personal/lifelessons/fountainhead.html" target="_blank"><b><span style="color: #9f8d57;">Howard Roark's Courtroom Speech</span></b></a></h2>
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<span lang="EN-GB" style="color: #9f8d57; font-family: Georgia; font-size: 12pt;"><b><span style="font-family: Georgia;"><br /></span></b></span><span lang="EN-GB" style="font-family: Georgia; font-size: 12.0pt; mso-ansi-language: EN-GB;"></span></h2>
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<span lang="EN-GB" style="font-family: Georgia;"><br /></span><span lang="EN-GB" style="font-family: Georgia;">
“Thousands of years ago, the first man discovered
how to make fire. He was probably burned at the stake he had taught his
brothers to light. He was considered an evildoer who had dealt with a demon
mankind dreaded. But thereafter men had fire to keep them warm, to cook their
food, to light their caves. He had left them a gift they had not conceived and
he had lifted dardness off the earth. Centuries later, the first man invented
the wheel. He was probably torn on the rack he had taught his brothers to
build. He was considered a transgressor who ventured into forbidden terrritory.
But thereafter, men could travel past any horizon. He had left them a gift they
had not conceived and he had opened the roads of the world.</span><br />
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“That man, the unsubmissive and first, stands in
the opening chapter of every legend mankind has recorded about its beginning. Prometheus
was chained to a rock and torn by vultures—because he had stolen the fire of
the gods. Adam was condemned to suffer—because he had eaten the fruit of the
tree of knowledge. Whatever the legend, somewhere in the shadows of its memory
mankind knew that its glory began with one and that that one paid for his
courage.</span><br />
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“Throughout the centuries there were men who took
first steps down new roads armed with nothing but their own vision. Their goals
differed, but they all had this in common: that the step was first, the road
new, the vision unborrowed, and the response they received—hatred. The great
creators—the thinkers, the artists, the scientists, the inventors—stood alone
against the men of their time. Every great new thought was opposed. Every great
new invention was denounced. The first motor was considered foolish. The
airplane was considered impossible. The power loom was considered vicious.
Anesthesia was considered sinful. But the men of unborrowed vision went ahead.
They fought, they suffered and they paid. But they won.</span><br />
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“No creator was prompted by a desire to serve his
brothers, for his brothers rejected the gift he offered and that gift destroyed
the slothful routine of their lives. His truth was his only motive. His own
truth, and his own work to achieve it in his own way. A symphony, a book, an
engine, a philosophy, an airplane or a building—that was his goal and his life.
Not those who heard, read, operated, believed, flew or inhabited the thing he
had created. The creation, not its users. The creation, not the benefits others
derived from it. The creation which gave form to his truth. He held his truth
above all things and against all men.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“His vision, his strength, his courage came from
his own spirit. A man's spirit, however, is his self. That entity which is his
consciousness. To think, to feel, to judge, to act are functions of the ego.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“The creators were not selfless. It is the whole
secret of their power—that it was self-sufficient, self-motivated,
self-generated. A first cause, a fount of energy, a life force, a Prime Mover. The
creator served nothing and no one. He lived for himself.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“And only by living for himself was he able to
achieve the things which are the glory of mankind. Such is the nature of
achievement.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“Man cannot survive except through his mind. He
comes on earth unarmed. His brain is his only weapon. Animals obtain food by
force. Man has no claws, no fangs, no horns, no great strength of muscle. He
must plant his food or hunt it. To plant, he needs a process of thought. To
hunt, he needs weapons, and to make weapons—a process of thought. From this
simplest necessity to the highest religious abstraction, from the wheel to the
skyscraper, everything we are and everything we have comes from a single
attribute of man—the function of his reasoning mind.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“But the mind is an attribute of the individual.
There is no such thing as a collective brain. There is no such thing as a
collective thought. An agreement reached by a group of men is only a compromise
or an average drawn upon many individual thoughts. It is a secondary
consequence. The primary act—the process of reason—must be performed by each
man alone. We can divide a meal among many men. We cannot digest it in a
collective stomach. No man can use his lungs to breathe for another man. No man
can use his brain to think for another. All the functions of body and spirit
are private. They cannot be shared or transferred.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“We inherit the products of the thought of other
men. We inherit the wheel. We make a cart. The cart becomes an automobile. The
automobile becomes an airplane. But all through the process what we receive
from others is only the end product of their thinking. The moving force is the
creative faculty which takes this product as material, uses it and originates
the next step. This creative faculty cannot be given or received, shared or
borrowed. It belongs to single, individual men. That which it creates is the
property of the creator. Men learn from one another. But all learning is only
the exchange of material. No man can give another the capacity to think. Yet
that capacity is our only means of survival.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“Nothing is given to man on earth. Everything he
needs has to be produced. And here man faces his basic alternative: he can
survive in only one of two ways—by the independent work of his own mind or as a
parasite fed by the minds of others. The creator originates. The parasite
borrows. The creator faces nature alone. The parasite faces nature through an
intermediary.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“The creator’s concern is the conquest of nature.
The parasite’s concern is the conquest of men.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“The creator lives for his work. He needs no
other men. His primary goal is within himself. The parasite lives second-hand.
He needs others. Others become his prime motive.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“The basic need of the creator is independence.
The reasoning mind cannot work under any form of compulsion. It cannot be
curbed, sacrificed or subordinated to any consideration whatsoever. It demands
total independence in function and in motive. To a creator, all relations with
men are secondary.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“The basic need of the second-hander is to secure
his ties with men in order to be fed. He places relations first. He declares
that man exists in order to serve others. He preaches altruism.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“Altruism is the doctrine which demands that man
live for others and place others above self.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“No man can live for another. He cannot share his
spirit just as he cannot share his body. But the second-hander has used
altruism as a weapon of expoloitation and reversed the base of mankind’s moral
principles. Men have been taught every precept that destroys the creator. Men
have been taught dependence as a virtue.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“The man who attemps to live for others is a
dependent. He is a parasite in motive and makes parasites of those he serves. The
relationship produces nothing but mutual corruption. It is impossible in
concept. The nearest approach to it in reality—the man who lives to serve
others—is the slave. If physical slavery is repulsive, how much more repulsive
is the concept of servility of the spirit? The conquered slave has a vestige of
honor. He has the merit of having resisted and of considering his condition
evil. But the man who enslaves himself voluntarily in the name of love is the
basest of creatures. He degrades the dignity of man and he degrades the
conception of love. But this is the essence of altruism.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“Men have been taught that the highest virtue is
not to achieve, but to give. Yet one cannot give that which has not been
created. Creation comes before distribution—or there will be nothing to
distribute. The need of the creator comes before the need of any possible
beneficiary. Yet we are taught to admire the second-hander who dispenses gifts
he has not produced above the man who made the gifts possible. We praise an act
of charity. We shrug at an act of achievement.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“Men have been taught that their first concern is
to relieve the sufferings of others. But suffering is a disease. Should one
come upon it, one tries to give relief and assistance. To make that the highest
test of virtue is to make suffering the most important part of life. Then man
must wish to see others suffer—in order that he may be virtuous. Such is the
nature of altruism. The creator is not concerned with disease, but with life. Yet
the work of the creators has eliminated one form of disease after another, in
man’s body and spirit, and brought more relief from suffering than any altruist
could ever conceive.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“Men have been taught that it is a virtue to
agree with others. But the creator is the man who disagrees. Men have been
taught that it is a virtue to swim with the current. But the creator is the man
who goes against the current. Men have been taught that it is a virtue to stand
together. But the creator is the man who stands alone.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“Men have been taught that the ego is the synonym
of evil, and selflessness the ideal of virtue. But the creator is the egotist
in the absolute sense, and the selfless man is the one who does not think,
feel, judge or act. These are functions of the self.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“Here the basic reversal is most deadly. The issue
has been perverted and man has been left no alternative—and no freedom. As
poles of good and evil, he was offered two conceptions: egotism and altruism. Egotism
was held to mean the sacrifice of others to self. Altruism—the sacrifice of
self to others. This tied man irrevocably to other men and left him nothing but
a choice of pain: his own pain borne for the sake of others or pain inflicted
upon others for the sake of self. When it was added that man must find joy in
self-immolation, the trap was closed. Man was forced to accept masochism as his
ideal—under the threat that sadism was his only alternative. This was the
greatest fraud ever perpetrated on mankind.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“This was the device by which dependence and
suffering were perpetuated as fundamentals of life.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“The choice is not self-sacrifice or domination.
The choice is independence or dependence. The code of the creator or the code
of the second-hander. This is the basic issue. It rests upon the alternative of
life or death. The code of the creator is built on the needs of the reasoning
mind which allows man to survive. The code of the second-hander is built on the
needs of a mind incapable of survival. All that which proceeds from man’s
independent ego is good. All that which proceeds from man’s dependence upon men
is evil.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“The egotist is the absolute sense is not the man
who sacrifices others. He is the man who stands above the need of using others
in any manner. He does not function through them. He is not concerned with them
in any primary matter. Not in his aim, not in his motive, not in his thinking,
not in his desires, not in the source of his energy. He does not exist for any
other man—and he asks no other man to exist for him. This is the only form of
brotherhood and mutual respect possible between men.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“Degrees of ability vary, but the basic principle
remains the same: the degree of a man’s independence, initiative and personal
love for his work determines his talent as a worker and his worth as a man. Independence
is the only gauge of human virtue and value. What a man is and makes of
himself; not what he has or hasn’t done for others. There is no substitute for
personal dignity. There is no standard of personal dignity except independence.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“In all proper relationships there is no
sacrifice of anyone to anyone. An architect needs clients, but he does not
subordinate his work to their wishes. They need him, but they do not order a
house just to give him a commission. Men exchange their work by free, mutual
consent to mutual advantage when their personal interests agree and they both
desire the exchange. If they do not desire it, they are not forced to deal with
each other. They seek further. This is the only possible form of relationship
between equals. Anything else is a relation of slave to master, or victim to
executioner.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“No work is ever done collectively, by a majority
decision. Every creative job is achieved under the guidance of a single
individual thought. An architect requires a great many men to erect his building.
But he does not ask them to vote on his design. They work together by free
agreement and each is free in his proper function. An architect uses steel,
glass, concrete, produced by others. But the materials remain just so much
steel, glass and concrete until he touches them. What he does with them is his
individual product and his individual property. This is the only pattern for
proper co-operation among men.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“The first right on earth is the right of the
ego. Man’s first duty is to himself. His moral law is never to place his prime
goal within the persons of others. His moral obligation is to do what he
wishes, provided his wish does not depend <i><span style="font-family: Georgia;">primarily</span></i>
upon other men. This includes the whole sphere of his creative faculty, his
thinking, his work. But it does not include the sphere of the gangster, the
altruist and the dictator.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“A man thinks and works alone. A man cannot rob,
exploit or rule—alone. Robbery, exploitation and ruling presuppose victims.
They imply dependence. They are the province of the second-hander.</span><br />
<span lang="EN-GB" style="font-family: Georgia;">
“Rulers of men are not egotists. They create
nothing. They exist entirely through the persons of others. Their goal is in
their subjects, in the activity of enslaving. They are as dependent as the
beggar, the social worker and the bandit. </span><span style="font-family: Georgia;">The
form of dependence does not matter.</span><br />
<span style="font-family: Georgia;">
“But men were taught to regard
second-handers—tyrants, emperors, dictators—as exponents of egotism. By this
fraud they were made to destroy the ego, themselves and others. The purpose of
the fraud was to destroy the creators. Or to harness them. Which is a synonym.</span><br />
<span style="font-family: Georgia;">
“From the beginning of history, the two
antagonists have stood face to face: the creator and the second-hander. When
the first creator invented the wheel, the first second-hander responded. He
invented altruism.</span><br />
<span style="font-family: Georgia;">
“The creator—denied, opposed, persecuted,
exploited—went on, moved forward and carried all humanity along on his energy.
The second-hander contributed nothing to the process except the impediments.
The contest has another name: the individual against the collective.</span><br />
<span style="font-family: Georgia;">
“The ‘common good’ of a collective—a race, a
class, a state—was the claim and justification of every tyranny ever
established over men. Every major horror of history was committed in the name
of an altruistic motive. Has any act of selfishness ever equaled the carnage
perpetrated by disciples of altruism? Does the fault lie in men’s hypocrisy or
in the nature of the principle? The most dreadful butchers were the most
sincere. They believed in the perfect society reached through the guillotine
and the firing squad. Nobody questioned their right to murder since they were
murdering for an altruistic purpose. It was accepted that man must be
sacrificed for other men. Actors change, but the course of the tragedy remains
the same. A humanitarian who starts with declarations of love for mankind and
ends with a sea of blood. It goes on and will go on so long as men believe that
an action is good if it is unselfish. That permits the altruist to act and
forces his victims to bear it. The leaders of collectivist movements ask
nothing for themselves. But observe the results.</span><br />
<span style="font-family: Georgia;">
“The only good which men can do to one another
and the only statement of their proper relationship is—Hands off!</span><br />
<span style="font-family: Georgia;">
“Now observe the results of a society built on
the principle of individualism. This, our country. The noblest country in the
history of men. The country of greatest achievement, greatest prosperity,
greatest freedom. This country was not based on selfless service, sacrifice,
renunciation or any precept of altruism. It was based on a man’s right to the
pursuit of happiness. His own happiness. Not anyone else’s. A private,
personal, selfish motive. Look at the results. Look into your own conscience.</span><br />
<span style="font-family: Georgia;">
“It is an ancient conflict. Men have come close
to the truth, but it was destroyed each time and one civilization fell after
another. Civilization is the progress toward a society of privacy. The savage’s
whole existence is public, ruled by the laws of his tribe. Civilization is the
process of setting man free from men.</span><br />
<span style="font-family: Georgia;">
“Now, in our age, collectivism, the rule of the
second-hander and second-rater, the ancient monster, has broken loose and is
running amuck. It has brought men to a level of intellectual indecency never
equaled on earth. It has reached a scale of horror without precedent. It has
poisoned every mind. It has swallowed most of Europe. It is engulfing our
country.</span><br />
<span style="font-family: Georgia;">
“I am an architect. I know what is to come by the
principle on which it is built. We are approaching a world in which I cannot
permit myself to live.</span><br />
<span style="font-family: Georgia;">
“Now you know why I dynamited Cortlandt.</span><br />
<span style="font-family: Georgia;">
“I designed Cortlandt. I gave it to you. I
destroyed it.</span><br />
<span style="font-family: Georgia;">
“I destroyed it because I did not choose to let
it exist. It was a double monster. In form and in implication. I had to blast
both. The form was mutilated by two second-handers who assumed the right to
improve upon that which they had not made and could not equal. They were
permitted to do it by the general implication that the altruistic purpose of the
building superseded all rights and that I had no claim to stand against it.</span><br />
<span style="font-family: Georgia;">
“I agreed to design Cortlandt for the purpose of
seeing it erected as I dedigned it and for no other reason. That was the price
I set for my work. I was not paid.</span><br />
<span style="font-family: Georgia;">
“I do not blame Peter Keating. He was helpless.
He had a contract with his employers. It was ignored. He had a promise that the
structure he offered would be built as designed. The promise was broken. The
love of a man for the integrity of his work and his right to preserve it are
now considered a vague intangible and an inessential. You have heard the
prosecutor say that. Why was the building disfigured? For no reason. Such acts
never have any reason, unless it’s the vanity of some second-handers who feel
they have a right to anyone’s property, spiritual or material. Who permitted
them to do it? No particular man among the dozens in authority. No one cared to
permit it or to stop it. No one was responsible. No one can be held to account.
Such is the nature of all collective action.</span><br />
<span style="font-family: Georgia;">
“I did not receive the payment I asked. But the
owners of Cortlandt got what they needed from me. They wanted a scheme devised
to build a structure as cheaply as possible. They found no one else who could
do it to their satisfaction. I could and did. They took the benefit of my work
and made me contribute it as a gift. But I am not an altruist. I do not
contribute gifts of this nature.</span><br />
<span style="font-family: Georgia;">
“It is said that I have destroyed the home of the
destitute. It is forgotten that but for me the destitute could not have had
this particular home. Those who were concerned with the poor had to come to me,
who have never been concerned, in order to help the poor. It is believed that
the poverty of the future tenants gave them the right to my work. That their
need constituted a claim on my life. That it was my duty to contribute anything
demanded of me. This is the second-hander’s credo now swallowing the world.</span><br />
<span style="font-family: Georgia;">
“I came here to say that I do not recognize
anyone’s right to one minute of my life. Nor to any part of my energy. Nor to
any achievement of mine. No matter who makes the claim, how large their number
or how great their need.</span><br />
<span style="font-family: Georgia;">
“I wished to come here and say that I am a man
who does not exist for others.</span><br />
<span style="font-family: Georgia;">
“It had to be said. The world is perishing from
an orgy of self-sacrificing.</span><br />
<span style="font-family: Georgia;">
“I wished to come here and say that the integrity
of a man’s creative work is of greater importance than any charitable endeavor.
Those of you who do not understand this are the men who’re destroying the
world.</span><br />
<span style="font-family: Georgia;">
“I wished to come here and state my terms. I do
not care to exist on any others.</span><br />
<span style="font-family: Georgia;">
“I recognize no obligations toward men except
one: to respect their freedom and to take no part in a slave society. To my
country, I wish to give the ten years which I will spend in jail if my country
exists no longer. I will spend them in memory and in gratitude for what my
country has been. It will be my act of loyalty, my refusal to live or work in
what has taken its place.</span><br />
<span style="font-family: Georgia;">
“My act of loyalty to every creator who ever
lived and was made to suffer by the force responsible for the Cortlandt I
dynamited. To every tortured hour of loneliness, denial, frustration, abuse he
was made to spend—and to the battles he won. To every creator whose name is known—and
to every creator who lived, struggled and perished unrecognized before he could
achieve. To every creator who was destroyed in body or in spirit. To Henry
Cameron. To Steven Mallory. To a man who doesn’t want to be named, but who is
sitting in this courtroom and knows that I am speaking of him.”</span></div>
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Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com2tag:blogger.com,1999:blog-4005879982718657213.post-83422366858538543152013-07-21T04:54:00.002-07:002013-07-21T05:32:20.667-07:00Per la Unitat (una certa) uniformitat per un dia<!--[if gte mso 9]><xml>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1JKNzaI0P1olTgYMjjtfBt6qp_P_fqHqfKIreIyPhuckBAVdmoitzuJ210Kc0K-VMG838hL250R38rXbKtVHPHVCJRifTA6lmGZ1xHsTDaDczpmT6B2LIB8bt4LtHEmqE_fuEJ8gqL1H0/s1600/Madelman+novesavui+012.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1JKNzaI0P1olTgYMjjtfBt6qp_P_fqHqfKIreIyPhuckBAVdmoitzuJ210Kc0K-VMG838hL250R38rXbKtVHPHVCJRifTA6lmGZ1xHsTDaDczpmT6B2LIB8bt4LtHEmqE_fuEJ8gqL1H0/s400/Madelman+novesavui+012.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Els madelmen a punt!</td></tr>
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<br />
<br />
<br />
<span lang="CA" style="font-family: Georgia;">De la mateixa
manera que portarem samarretes grogues independentment del color dels pantalons
i les faldilles per fer-nos <span style="mso-spacerun: yes;"> </span>més visibles
com a cadena humana i com a símbol d'unitat, s’hauria de fer alguna cosa així amb la cadena blogaire. Aquí
dalt teniu una proposta, una banda sota la capçalera del blog on el blogaire es
fa ressò de la seva participació en la cadena anomenant el seu número i l’enllaç
que li tocarà. El dia 10 s’actualitza el text i s’activa l’enllaç. </span><span lang="CA" style="font-family: Georgia;"><i><b> </b></i></span><br />
<span lang="CA" style="font-family: Georgia;">Ara:<i><b> </b></i></span><br />
<div style="background-color: yellow;">
<span lang="CA" style="font-family: Georgia;"><i style="color: #cc0000;"><b>t’khià</b></i><span style="color: #cc0000;">, amb el número 117, formarà part de la cadena de blogs per la independència del proper </span><b style="color: #cc0000;">onze</b><span style="color: #cc0000;"> donant la mà a </span><i style="color: #ffe599;"><b><span style="color: #cc0000;">El cinquè vagó</span></b></i></span></div>
<br />
<span lang="CA" style="font-family: Georgia;">L'onze: </span><br />
<div style="background-color: yellow;">
<span lang="CA" style="font-family: Georgia;"><i style="color: #ffe599;"><b><span style="color: #cc0000;"> </span></b></i></span><span lang="CA" style="color: #cc0000; font-family: Georgia;"><i><b>t’khià</b></i>, amb el número 117, forma part de la cadena de blogs per la independència donant la mà a <i><a href="http://elcinquevago.blogspot.com.es/" target="_blank"><b>El cinquè vagó</b></a><b></b></i></span></div>
<span lang="CA" style="font-family: Georgia;"><i style="color: #444444;"><b></b></i></span></div>
<div class="MsoNormal">
<br />
<span lang="CA" style="font-family: Georgia;">Proposeu que s’activi
l’enllaç en un apunt el 10, 11 o 12. Crec que s’hauria d’activar la tarda del 10 com a molt
tard, a partir d’un moment concret qualsevol que vulgui fer una passejada per
la cadena ho hauria de tenir el més fàcil possible: clic, clic,<span style="mso-spacerun: yes;"> </span>clic,...</span></div>
<div class="MsoNormal">
<span lang="CA" style="font-family: Georgia;">Tot això permet
fer l’enllaç dintre de l’apunt igualment.</span></div>
<div class="MsoNormal">
<span lang="CA" style="font-family: Georgia;">Només és una
proposta; a veure que us sembla.</span><br />
<span lang="CA" style="font-family: Georgia;">El disseny és millorable, qualsevol professional podrà fer-ne propostes estèticament i tècnica millors. </span><br />
<br />
<br />
<br />
<span lang="CA" style="font-family: Georgia;"> </span><br />
<span lang="CA" style="font-family: Georgia;"> </span><br />
<div style="text-align: center;">
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Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com2tag:blogger.com,1999:blog-4005879982718657213.post-39694618533957394162013-07-19T07:47:00.002-07:002013-07-19T09:09:43.580-07:00Cadena (work in progress...)<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Us preguntareu com sabrem que la cadena s'ha acomplert del tot, oi? Doncs es veu que a l'extrem sud hi posaran la Miraculosa i a l'extrem nord el Capità, arribada l'hora, les 17:14, la Miraculosa posarà els dits en un endoll; si el Capità se'ns enrrampa voldrà dir que hem triumfat!</span></span></div>
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Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com8tag:blogger.com,1999:blog-4005879982718657213.post-65646398811070517602013-07-11T06:46:00.002-07:002013-07-11T06:53:19.963-07:00Els temps dels uns i els temps dels altres<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">Diu l'associació de guàrdia civils en <b><a href="http://www.vilaweb.cat/noticia/4133221/20130711/associacio-guardia-civil-recorda-jutge-santiago-vidal-penes-preso-sedicio.html" target="_blank">denunciar</a></b> el magistrat Santiago Vidal: </span></span></div>
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<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"><i>Que un magistrat de tan alta responsabilitat plantegi un escenari de
futur de confrontació al qual personalment s'hi sumaria i hi donaria
suport <u>evoca desgraciadament temps que alguns altres preferirien no
rememorar</u></i><u>.</u></span></span></div>
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<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">Si aquests </span></span><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"> <u><i>alguns altres</i></u> que <i><u>preferirien no rememorar</u> </i>són <u>ells mateixos</u></span></span> -i no se'ns acut qui més podria ser-, els únics temps als que es poden referir deuen ser <i>els temps</i> anteriors al 1714 , doncs d'aleshores ençà tots els temps, tret de la república -i no sé si del tot-, evoquen tràgicament temps que no demanen, tot i que ho facin, gaire rememoracions per part seva, doncs són, com s'encarrega de recordar-nos la seva presència, els seus. Tots. Encara. De moment. Ja hi anem anant...</span></span></div>
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<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">Apunt en suport de Santiago Vidal. </span></span></div>
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Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com4tag:blogger.com,1999:blog-4005879982718657213.post-71588252690285031052013-07-02T05:54:00.001-07:002013-07-02T06:55:23.183-07:00Confessió Lev Tolstoi<div style="text-align: justify;">
<span style="font-family: Georgia, "Times New Roman", serif;">No necessitem treure'ns la màscara i posar-nos davant del mirall per saber-nos tramposos. Tramposos amb nosaltres mateixos. Condescendents amb les nostres faltes i febleses. A <strong><em><a href="http://www.angleeditorial.com/Confessio-427" target="_blank">Confessió</a></em></strong> Lev Tolstoi se la treu i ens fa més dificil seguir portant la nostra.</span></div>
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Troballes</div>
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Poema de Iannis Ritsos <br />
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Σε τούτα εδώ τα μάρμαρα<br />
κακιά σκουριά δεν πιάνει<br />
μηδέ αλυσίδα στου Ρωμιού<br />
και στ’ αγεριού το πόδι<br />
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Εδώ το φως εδώ ο γιαλός<br />
χρυσές γαλάζιες γλώσσες<br />
στα βράχια ελάφια πελεκάν<br />
τα σίδερα μασάνε<br />
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Entenc, no sé si correctament, que la versió musical no pren tot el poema.<br />
Traducció que he trobat:<br />
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These trees cannot settle<br />
under a lesser sky<br />
these rocks, cannot settle<br />
under foreign steps<br />
these faces cannot settle<br />
but under the sun<br />
these hearts cannot settle<br />
but abiding in justice.<br />
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This landscape is harsh<br />
like silence<br />
it tightens scorching crags,<br />
upon his chest.<br />
it tightens his orphan olive trees<br />
and grape vines<br />
within his light,<br />
he tightens his teeth.<br />
Water does not exist, only light!<br />
the road vanishes into light,<br />
and the shadow of a stone wall<br />
becomes iron-heavy.<br />
The trees became of marble,<br />
the rivers, the voices<br />
within asbestos of Helios.<br />
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The root stumbles onto marble.<br />
Dusty yews.<br />
The mule and the rock. Gasp.<br />
There is no water.<br />
Everyone's thirsty.<br />
For years, now.<br />
Everyone chews a mouthful of sky,<br />
above their bitterness.<br />
Their eyes are red<br />
from being vigil.<br />
a deep groove is choked<br />
between their eye brows,<br />
like a cypress tree between<br />
two mountains in sun set.<br />
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Si algú s'atreveix a fer-ne un traducció catalana, o plantar-la si ja està feta, que no se n'estigui.<br />
Hi ha un comentari d'un usuari a sota del video.</div>
Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com2tag:blogger.com,1999:blog-4005879982718657213.post-83032286826346094912013-06-30T08:56:00.002-07:002014-08-26T05:57:37.588-07:00Un veritable pal i El pal veritable (I i II)
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<b>( I )</b></div>
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<span lang="CA">Si <a href="http://elressodelgrau.blogspot.com.es/2013/06/racisme-progre.html" target="_blank">censuràvem</a> fa uns dies l’actitud racista d'Andreu<span style="mso-spacerun: yes;"> </span>Barnils, avui hem de dir que globalment estem (glubs...) d’acord amb la <a href="http://www.vilaweb.cat/mailobert/4130447/mai-pal-paller.html" target="_blank">seva tesi</a>: Quan siguem un país <i>normalitzat</i>, això és amb estat, ens podrem barallar els uns amb els altres sense tants miraments.</span></div>
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<span lang="CA">Efectivament, ara toca <b>unitat</b> i per tant toca callar, per exemple, davant del desmanegament d’algun dels artistes del Concert per la Llibertat –concert que s’hauria d’haver dit <i>Marató per la Independència </i>atesa la durada i el clamor general-. Toca callar davant d'un Titot que abans de sortir a l'escenari a deixar anar una de les seves perorates CUPaires, corria pel darrere amb <a href="http://www.vilaweb.cat/noticia/4130480/20130630/concert-llibertat-darrere-lescenari.html" target="_blank">una samarreta</a> de la DDR (</span><span class="st">Deutsche Demokratische Republik</span><span lang="CA">) !! Sí, una república dominada pel terror totalitari com aquella es podia dir <i>democràtica</i><i>...</i></span><span lang="CA"> Algú es va passejar amb tramvia pel Berlin est abans de la caiguda del mur? N'hi ha que poden correr pel món amb samarretes d'estats totalitaris i cares dels seus dictadors sense que se'ls mogui una cella ni se'ns pugui moure als altres, però ai d'aquells que portin la bandera d'una democràcia a la samarreta, posem pel cas aquesta:</span><br />
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<span lang="CA">I toca batallar colze amb colze amb aquesta gent. En fi, de Joans Joseps Mohameds i ases n'hi ha a totes les cases. I a tots els concerts. Podem dir que som com són tots els països, no ens falta res. </span><span lang="CA">Tret de l'estat propi, és a dir el veritable pal de paller. Haurem d'aguantar les esCUPinades sense fer gaires escarafalls una estona més. </span></div>
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<b>( II )</b><br />
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Té raó la <b><a href="http://www.vilaweb.cat/mailobert/4130618/pero.html" target="_blank">Marta Rojals</a></b>. No era el tema d'aquest apunt el concert, però com que hi ha caigut i no voldriem semblar desagraïts, des d'aquest raconet felicitem fervorosament i sincera l'organització del concert: Un èxit esclatant. Això no en treu els peròs (també té raó la <a href="http://www.vilaweb.cat/opinio_contundent/4130617/bel-zaballa-concert-llibertat-moments-memorables-moments-oblidar.html" target="_blank">Bel Zaballa</a> ). Peròs dirigits a les actituds d'alguns sectors tan del públic com dels "artistes". Si juguem junts, com toca, en aquest camp, bé hem de tenir un mínim reglament -es pot tocar la pilota amb les mans o no, què és penalti i què no, per entendre'ns-, i aquest és primer respectar l'objectiu comú: La independència. Els colors i les tonalitats del procés i del final els podem debatre en els àmbits que pertoquin, no en un concert <b>unitari</b>. Que en aquest concert s'hi vegin tots aquests colors està bé... a les grades i amb una certa urbanitat: no es xiulen els convidats, per exemple. Que des de l'escenari et clavin sermons no ho està. Proveu a fer un sermó sionista al mateix lloc i veureu els sectors batasunos treient foc pels queixals. Doncs cap discurs tret de l'unitari. El de la Casals i l'organització. No deu ser una demanda tan retrògrada ni tan <i>posh</i>, ens sembla. </div>
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(Ja hem proposat en un comentari d'aquí a sota el tipus de concert-marató que fariem; ho hem dit mig de broma, però mig de debò també.)<br />
Si es feia una arrossada, una castanyada, una cursa o un concert, l'objectiu, el que comptava al capdavall, era fer acte de presència, de suport a una causa.<br />
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<b style="color: magenta;"><a href="http://www.catalunyaoberta.cat/index.php/continguts/view/editorial/13507" target="_blank">Article Catalunya Oberta </a></b></div>
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Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com7tag:blogger.com,1999:blog-4005879982718657213.post-26614978793309656202013-06-17T02:59:00.000-07:002013-06-18T04:12:48.224-07:00Deixem de ser qui érem; serem de nou el mar
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<b style="mso-bidi-font-weight: normal;"><span lang="CA" style="font-family: Georgia;">ALBA DEL VESPRE</span></b></div>
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<span lang="CA" style="font-family: Georgia;">Carles Duarte i Montserrat</span></div>
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<span lang="CA" style="font-family: Georgia;">Alba del Vespre</span></div>
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<span lang="CA" style="font-family: Georgia;">Poesia 3i4</span></div>
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<span lang="CA" style="font-family: Georgia;">Cada dia, arribada una edat, una era gosaria dir, la mort es fa present amb recordatoris al llarg de la jornada. De la nostra, quan toqui, o de la dels que ja els ha tocat. D'aquesta presència, d'aquests recordatoris, Carles Duarte en fa poesia a <b>Alba al vespre</b>. I comença per la mort de la mare.</span></div>
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<span lang="CA" style="font-family: Georgia;"> </span></div>
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<b><span lang="CA" style="font-family: Georgia;">LA TEVA MORT</span></b><b style="mso-bidi-font-weight: normal;"><span lang="CA" style="font-family: Georgia;">, LA MEVA</span></b></div>
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<span lang="CA" style="font-family: Georgia;">La teva mort ja té deu anys</span></div>
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<span lang="CA" style="font-family: Georgia;">i arrela en mi com si es tractés d’un arbre,</span></div>
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<span lang="CA" style="font-family: Georgia;">un tamariu imposant l’escorça càlida</span></div>
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<span lang="CA" style="font-family: Georgia;">que em va eixugant la llàgrima dels ulls.</span></div>
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<span lang="CA" style="font-family: Georgia;">La teva mort es va eixamplant dins nostre,</span></div>
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<span lang="CA" style="font-family: Georgia;">Com un hivern.</span></div>
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<span lang="CA" style="font-family: Georgia;">Escric un nom a les parets de l’aire.</span></div>
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<span lang="CA" style="font-family: Georgia;">La teva mort conviu</span></div>
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<span lang="CA" style="font-family: Georgia;">amb altres morts</span></div>
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<span lang="CA" style="font-family: Georgia;">que m’afeixuguen les mans</span></div>
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<span lang="CA" style="font-family: Georgia;">i que m’habiten.</span></div>
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<span lang="CA" style="font-family: Georgia;">L’alba del vespre alena solitud.</span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="CA" style="font-family: Georgia;">TENSHO</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="CA" style="font-family: Georgia;">I</span></b></div>
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<span lang="CA" style="font-family: Georgia;">Respirar el món,</span></div>
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<span lang="CA" style="font-family: Georgia;">sentir que els dies lentament ens travessen,</span></div>
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<span lang="CA" style="font-family: Georgia;">intuir la fatiga dels astres,</span></div>
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<span lang="CA" style="font-family: Georgia;">saber que el temps que hem conegut s’adorm.</span></div>
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<b><span lang="CA" style="font-family: Georgia;">VII</span></b></div>
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<span lang="CA" style="font-family: Georgia;">La sang de l’aire, la pluja de llum d’aquest crepuscle,</span></div>
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<span lang="CA" style="font-family: Georgia;">la rosa, el roig tenyint-nos la mirada de passat,</span></div>
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<span lang="CA" style="font-family: Georgia;">la solitud llunyana dels camps encesos de tardor;</span></div>
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<span lang="CA" style="font-family: Georgia;">des de les ombres veus el futur que s’esdevé.</span></div>
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<b><span lang="CA" style="font-family: Georgia;">XIV</span></b></div>
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<span lang="CA" style="font-family: Georgia;">El cel, l’espiral incansable dels blaus,</span></div>
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<span lang="CA" style="font-family: Georgia;">els ulls badats a l’infinit,</span></div>
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<span lang="CA" style="font-family: Georgia;">el rostre que somriu i el seu misteri.</span></div>
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<span lang="CA" style="font-family: Georgia;">Respirar el món, renéixer.</span></div>
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<b><span lang="CA" style="font-family: Georgia;">TEMPLES</span></b></div>
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<span lang="CA" style="font-family: Georgia;">Hem anat a veure els déus</span></div>
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<span lang="CA" style="font-family: Georgia;">als antics temples,</span></div>
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<span lang="CA" style="font-family: Georgia;">però no hi eren.</span></div>
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<span lang="CA" style="font-family: Georgia;">Cansats de la infidelitat dels homes,</span></div>
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<span lang="CA" style="font-family: Georgia;">se n’han anat a viure als cims,</span></div>
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<span lang="CA" style="font-family: Georgia;">enmig dels oceans d’estrelles.</span></div>
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<span lang="CA" style="font-family: Georgia;">Amb els seus murs esfondrats,</span></div>
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<span lang="CA" style="font-family: Georgia;">els temples ja no acullen els déus,</span></div>
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<span lang="CA" style="font-family: Georgia;">parlen dels nostres somnis,</span></div>
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<span lang="CA" style="font-family: Georgia;">diuen els nostres límits.</span></div>
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<b><span lang="CA" style="font-family: Georgia;">ALBA AL VESPRE III</span></b></div>
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<span lang="CA" style="font-family: Georgia;">Aquesta alba del vespre</span></div>
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<span lang="CA" style="font-family: Georgia;">és una galeria de retrats d’absents,</span></div>
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<span lang="CA" style="font-family: Georgia;">una capsa pintada</span></div>
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<span lang="CA" style="font-family: Georgia;">d’on vas traient fotografies</span></div>
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<span lang="CA" style="font-family: Georgia;">de tots els qui vas ser.</span></div>
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<span lang="CA" style="font-family: Georgia;">Quin d’aquests tu que eres</span></div>
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<span lang="CA" style="font-family: Georgia;">és més a prop dels pètals?,</span></div>
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<span lang="CA" style="font-family: Georgia;">quin del mar?</span></div>
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<span lang="CA" style="font-family: Georgia;">En quin dels teus records vas ser més tu?</span></div>
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<span lang="CA" style="font-family: Georgia;">Sovint un lloc, un nom desvetlla una ombra</span></div>
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<span lang="CA" style="font-family: Georgia;">on persisties,</span></div>
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<span lang="CA" style="font-family: Georgia;">però l’onada de la llum s’allunya</span></div>
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<span lang="CA" style="font-family: Georgia;">i els ulls pressenten l’exhausta plenitud</span></div>
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<span lang="CA" style="font-family: Georgia;">on el silenci esquinça els límits</span></div>
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<span lang="CA" style="font-family: Georgia;">entre aquest jo menor tan esquifit</span></div>
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<span lang="CA" style="font-family: Georgia;">que ja és refugi</span></div>
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<span lang="CA" style="font-family: Georgia;">i el jo major, immens,</span></div>
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<span lang="CA" style="font-family: Georgia;">cap a on la vida</span></div>
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<span lang="CA" style="font-family: Georgia;">incessantment retorna.</span><br />
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<span lang="CA" style="font-family: Georgia;">Carles Duarte té seguisors al facebook, pels que en tinguin: </span></div>
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<span lang="CA" style="font-family: Georgia;"><br /></span><span lang="CA" style="font-family: Georgia;"><br /></span><span lang="CA" style="font-family: Georgia;">El títol de l'apunt són els dos últims versos del poema <b>DE NOU EL MAR</b></span></div>
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Liorhttp://www.blogger.com/profile/00543156930731198731noreply@blogger.com0tag:blogger.com,1999:blog-4005879982718657213.post-39662389751900558222013-06-17T02:06:00.001-07:002013-06-17T02:06:36.849-07:00Aquesta setmana canvi de temps, diuen...<div class="separator" style="clear: both; text-align: center;">
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